Interview

Personally, I believe going to the cinema offers an experience that is simply impossible to recreate at home. The large screen, the surround sound, and the atmosphere of watching a film with a full audience all make it far more immersive. That said, for everyday viewing — especially TV series — the comfort of home is hard to beat.

What I enjoy most is psychological thrillers, because they keep me on the edge of my seat and make me think long after the credits roll. I find it fascinating how a well-written script can completely mislead the audience and then deliver a twist that changes everything. Good storytelling in this genre feels almost like solving a puzzle.

There is no doubt that streaming platforms have completely transformed viewing habits. People no longer have to wait a week for the next episode or arrange their schedule around a broadcast time — everything is available on demand, instantly. On the other hand, this has also led to binge-watching, which some argue makes it harder to fully appreciate a story.

It is hard to deny that visual storytelling has always shaped the way society thinks. Films and series can challenge stereotypes, raise awareness of social issues, and even shift public opinion on topics like politics or equality. At the same time, this influence can work both ways — irresponsible content can reinforce harmful ideas just as powerfully as thoughtful content can inspire change.

To be perfectly honest, the idea does appeal to me, especially working behind the camera as a director or screenwriter. The creative freedom and the chance to tell stories that reach millions of people are genuinely exciting. However, the film industry is highly competitive, the work is often unstable, and success can depend as much on luck and connections as on talent.